Yellow. Page 56. English. Printed in London by J. Barfield. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125015119437/page/n56/mode/1upOrange. Page 60. English. Printed in London by J. Barfield. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125015119437/page/n60/mode/1upScarlet. Page 64. English. Printed in London by J. Barfield. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125015119437/page/n64/mode/1upBlue, 6. Image 74 of An essay on a new theory of colours, and on composition in general: illustrated by coloured blots shewing the application of the theory to composition of flowers, landscapes, figures. 1808. English. Mary Gartside, author. Printed in London in 1808. . Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125015119437/page/n73/mode/1upCrimson 8. Image 78 of An essay on a new theory of colours, and on composition in general: illustrated by coloured blots shewing the application of the theory to composition of flowers, landscapes, figures. 1808. English. Mary Gartside, author. Printed in London in 1808. . Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125015119437/page/n77/mode/1up
Fort Snelling, Minnesota. 1854-1858. Page 36. of Henry Lewis’s work “Das Illustrirte Mississippithal … vom Wasserfalle zu St. Anthony an bis zum Golf von Mexico (eine Entfernung von ungefähr 2300 englischen Meilen)” Lithographic print. Collections of the University of Pittsburgh Library System. Lyrasis Members and Sloan Foundation, digitalizing sponsor. In the public domain due to age. See the link to zoom in https://archive.org/details/dasillustrirtemi00lewi/page/n36/mode/1up?view=theaterIndian deputation. 1854-1858. Page 36. of Henry Lewis’s work “Das Illustrirte Mississippithal … vom Wasserfalle zu St. Anthony an bis zum Golf von Mexico (eine Entfernung von ungefähr 2300 englischen Meilen)” Lithographic print. Collections of the University of Pittsburgh Library System. Lyrasis Members and Sloan Foundation, digitalizing sponsor. In the public domain due to age. See the link to zoom in https://archive.org/details/dasillustrirtemi00lewi/page/n32/mode/1up?view=theaterMouths of the Mississippi. 1854-1858. Page 40. of Henry Lewis’s work “Das Illustrirte Mississippithal … vom Wasserfalle zu St. Anthony an bis zum Golf von Mexico (eine Entfernung von ungefähr 2300 englischen Meilen)” Lithographic print. Collections of the University of Pittsburgh Library System. Lyrasis Members and Sloan Foundation, digitalizing sponsor. In the public domain due to age. See the link to zoom in https://archive.org/details/dasillustrirtemi00lewi/page/n40/mode/1up?view=theater
Shoemadoo, the great temple at Pegue. Drawn by Singey Bey. T. (Thomas) Medland, engraver (ca.1765-1833). Page 222. Wellcome Collections. In the public domain due to age. via https://wellcomecollection.org/works/m3jvvu5e/items?canvas=222A Rhahan or Priest. Page 249. Drawn by Singey Bey. T. (Thomas) Medland, engraver (ca.1765-1833).. Wellcome Collections. In the public domain due to age, via https://wellcomecollection.org/works/m3jvvu5e/items?canvas=249Impression of the Foot of Guadma(Guarma). Page 289. Drawn by Singey Bey. T. (Thomas) Medland, engraver (ca.1765-1833).. Wellcome Collections. In the public domain due to age. via https://wellcomecollection.org/works/m3jvvu5e/items?canvas=289Image of Boodh at Gaya in Bengal. Page 341. Drawn by Captain Grookat (?). T. (Thomas) Medland, engraver (ca.1765-1833).. Wellcome Collections. In the public domain due to age. via https://wellcomecollection.org/works/m3jvvu5e/items?canvas=341A Wungyi (Wongee) or Member of the Chief Council and his Wife in their dress of ceremony. Page 353. Drawn by Singey Bey. T. (Thomas) Medland, engraver (ca.1765-1833).. Wellcome Collections. In the public domain due to age. via https://wellcomecollection.org/works/m3jvvu5e/items?canvas=353An Attawaoon or Minister of the Interior and his Wife (left); A Seredogee or Secretary of State (right) in their dress of ceremony. Page 357. Page 353. Drawn by Singey Bey. T. (Thomas) Medland, engraver (ca.1765-1833).. Wellcome Collections. In the public domain due to age. via https://wellcomecollection.org/works/m3jvvu5e/items?canvas=357A Woondock and his Wife in their dress of ceremony. Page 361. Drawn by Singey Bey. T. (Thomas) Medland, engraver (ca.1765-1833).. Wellcome Collections. In the public domain due to age. via https://wellcomecollection.org/works/m3jvvu5e/items?canvas=361A Birman Peasant and his Wife. Page 367. Drawn by Singey Bey. T. (Thomas) Medland, engraver (ca.1765-1833).. Wellcome Collections. In the public domain due to age. via https://wellcomecollection.org/works/m3jvvu5e/items?canvas=367A Cafsay (?) Horseman. Page 371. Drawn by Singey Bey. T. (Thomas) Medland, engraver (ca.1765-1833).. Wellcome Collections. In the public domain due to age. via https://wellcomecollection.org/works/m3jvvu5e/items?canvas=371A Method of Catching Wild Elephants in Ava. Page 403. Drawn by Singey Bey. T. (Thomas) Medland, engraver (ca.1765-1833).. Wellcome Collections. In the public domain due to age. via https://wellcomecollection.org/works/m3jvvu5e/items?canvas=403Image of the Birman Gaudma (Gaurm) in a Temple atUmmerapoora. Page 407. Drawn by Singey Bey. T. (Thomas) Medland, engraver (ca.1765-1833).. Wellcome Collections. In the public domain due to age. via https://wellcomecollection.org/works/m3jvvu5e/items?canvas=407A Kioum or Monastery. Page 449. Drawn by Singey Bey. T. (Thomas) Medland, engraver (ca.1765-1833).. Wellcome Collections. In the public domain due to age. via https://wellcomecollection.org/works/m3jvvu5e/items?canvas=449.View of the Imperial Court at Ummerapoora and the Ceremony of Introduction. Page 477. Drawn by Singey Bey. T. (Thomas) Medland, engraver (ca.1765-1833).. Wellcome Collections. In the public domain due to age. via https://wellcomecollection.org/works/m3jvvu5e/items?canvas=477
The Ava Kingdom was the dominant kingdom that ruled upper Burma from 1364 to 1555. Ava, or Inwa located in Mandalay Region, Myanmar, is an ancient imperial capital of successive Burmese kingdoms from the 14th to 19th centuries. This wonderful volume is also in the collections of the British Library, Cornell University and the New York Public Library. Probably some other places, too. I found it in a Swann Auction Galleries catalog.
People of Sandwich Sound in their canoes. What is now known as Prince William Sound was first named “Sandwich Sound” by James Cook after his patron the Earl of Sandwich in 1778. It was later renamed for one of George III and Queen Charlotte’s sons. Bound facing page 68, 1778. British. Drawing drawn by John Webber (1752-1793). Archival ID#1409341 and PIC Volume 42 #NK7402. Digital collections of the National Library of Australia. Artwork itself in the public domain due to age. via https://catalogue.nla.gov.au/Record/1409341A marae in Tahiti (Sandwich Island). Tahiti having named “Sandwich island” by James Cook after his patron with the name changed to Tahiti after this was published. Bound facing page 128. 1777. British. Pencil and wash drawing drawn by John Webber (1752-1793). Archival ID#1411153. Digital collections of the National Library of Australia. Artwork itself in the public domain due to age. via https://catalogue.nla.gov.au/Record/1411153A view of Hippa Island, Queen Charlotte Isles. Off the coast of British Columbia, Canada. Bound at page 204. 1777. British. Watercolor. Archival ID#2933876. Digital collections of the National Library of Australia. Artwork itself in the public domain due to age. via https://catalogue.nla.gov.au/Record/2933876A view in the bay at Woahoo, Sandwich Islands. Plate facing page 55. Published on January 17, 1789. Archival ID#313403. Engraving.Inigo Barlow, printer. Archival ID#313403. Digital collections of the National Library of Australia. Artwork itself in the public domain due to age. via https://catalogue.nla.gov.au/Record/313403A view of the volcano, Cook’s River, taken from the Coal Harbour. Now known as Port Graham which is on the Kenai Peninsula, in present-day Alaska. Plate facing page 62. British. Published on January 7, 1789. Engraving. Inigo Barlow, printer. Archival ID#1240353. Digital collections of the National Library of Australia. Artwork itself in the public domain due to age. via https://catalogue.nla.gov.au/Record/1240353A view of Mount Edgecomb taken from the ship at anchor in Norfolk Sound. Near the present day Sitka, Alaska. Plate facing page 192. Published on January 7, 1789. British. Engraving. Inigo Barlow, printer. Archival ID#2764054. Digital collections of the National Library of Australia. Artwork itself in the public domain due to age. via https://catalogue.nla.gov.au/Record/2764054
An account of the fur-trading expedition fitted out by the King George’s Sound Company, with important results for the exploration and mapping of the American Northwest. These are the plates showing locations. There are also plates showing some of the individuals they encountered, tools and birds. The two ships were commanded by Dixon and the American-born Nathaniel Portlock, both veterans of James Cook’s last voyage. It includes accounts of the Hawaiian islands where they wintered in 1787-1788. The text was edited by Dixon from a series of letters by the Quaker, William Beresford.
“View of some temple fragments, situated in a place in Attica called Thoricion.” 1758. Page II, view 36. French. Julien David LeRoy, artist. Jacques Philippe Le Bas, engraver. Collections and image BnF Gallica, the digital version of the Bibliothèque nationale de France. Art work itself in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/bpt6k854533n/f36.item#“Vue de Temple de Minerve à Athene.” Page IV, View 48. 1758. French. Julien David LeRoy, artist. Jacques Philippe Le Bas, engraver. Collections and image BnF Gallica, the digital version of the Bibliothèque nationale de France. Art work itself in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/bpt6k854533n/f48.item#“View of the Erechtheion, Athens.” Page V, View 52. 1758. French. Julien David LeRoy, artist. Jacques Philippe Le Bas, engraver. Collections and image BnF Gallica, the digital version of the Bibliothèque nationale de France. Art work itself in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/bpt6k854533n/f52.item
“Ornament somewhat Indian in style; to stand on top of a dado-rail, falling upon a dark maroon wall.” Plate X. Image VIX 1876. British. Collections of the Smithsonian Library. Metropolitan New York Library Council, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/Studiesdesign00Dres/page/VIX/mode/2up“Two plates for dadoes, or the walls of small lobbies.” Plate XII, Image XII. 1876. British. Collections of the Smithsonian Library. Metropolitan New York Library Council, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/Studiesdesign00Dres/page/XII/mode/2up:”Ornament in the Arabian style, intended to be painted in the centre of a ceiling.” Plate XIII. Image XIII. ” 1876. British. Collections of the Smithsonian Library. Metropolitan New York Library Council, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/Studiesdesign00Dres/page/XIII/mode/2up